2 edition of With Whistler in Venice found in the catalog.
With Whistler in Venice
Otto H. Bacher
|Statement||by Otto H. Bacher ; illustrated with many reproductions of Whistler"s work and of etchings and photographs by the author.|
|LC Classifications||ND237.W6 B3 1909 Rosenwald Coll|
|The Physical Object|
|Pagination||xiii, 289 p.,  leaf of plates :|
|Number of Pages||289|
|LC Control Number||83461761|
The Venetian hours of Henry James, Whistler, and Sargent Item Preview It is a celebration not only of the lives and works of three major artists, but of the wonderfully romantic city of Venice itself."--from book jacket "A Bulfinch Press book." Includes bibliographical references (pages ) and index Access-restricted-item true AddeddatePages: Elevation: 1,m/5,ft | Cleared daily at am and pm. Patrol - Emergency. For on hill emergencies only.
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Rome2rio makes travelling from Whistler to Venice easy. Rome2rio is a door-to-door travel information and booking engine, helping you get to and from any location in the world. Find all the transport options for your trip from Whistler to Venice right here. Buy Whistler's Venice (The Paul Mellon Centre for Studies in British Art) by Grieve, Alastair (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible s: 2.
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Planning only a brief stay in Venice inWhistler found himself enchanted by the city's beauty and remained for more than a year. This lovely book is the first to follow Whistler's progress throughout Venice as he produced fifty etchings, a few oils, and a remarkable group of one hundred by: 1.
Get this from a library. Whistler's Venice. With Whistler in Venice book [A I Grieve] -- "Planning a brief stay in Venice to create twelve commissioned etchings, Whistler became enchanted with the beauty of the city in and remained there for more than a year.
He worked in all areas. An appendix of Whistler's letters from Venice provides an entertaining account of his time there and also deepens the reader's understanding of how the city challenged and inspired him.
pages. Whistler, James McNeill, Catalogs, Venice (Italy)--In art--Catalogs. Seller Inventory # In SeptemberJames McNeill Whistler boarded the Venice-bound night train in Paris.
He was forty-five years old and bankrupt. What was to be a three-month stay in the Italian city—long enough to complete a set of twelve etchings—stretched to fourteen months.
When Whistler returned to London, he brought back over fifty magnificent 5/5(7). With Whistler in Venice. New York: Century Co.,© (OCoLC) Named Person: James McNeill Whistler; James McNeill Whistler; James McNeill Whistler: Document Type: Book: All Authors / Contributors: Otto H Bacher; Howard Coppuck Levis; Lessing J.
Rosenwald Reference Collection (Library of Congress). Whistler in Paris, London, and Venice examines the life and artistic development of James Abbott McNeill Whistler (–), one of the most celebrated artists of the 19th century, through the lens of three of his earliest and most innovative sets of etchings, the so-called French, Thames, and Venice sets are representative of three important periods in Whistler’s life: as a.
A History of Venice, by John Julius Norwich, is an in-depth analysis of the history of the Republic of Venice from inception to its eclipse and demise. Venice came together around the time of the fall of the Western Roman Empire, as refugees from various Italian cities found themselves fleeing an onslaught of German and Hun invaders/5().
This is a fascinating look at the period in the artist's life that immediately followed the infamous Ruskin trial. Bankrupt and with his reputation as an artist seriously damaged, Whistler was forced to leave England for a sojourn in Venice where he sought to fulfill a commission from the British Fine Arts Society for a series of etchings depicting the famous locale/5.
Book/Printed Material | Photo, Print, Drawing With Whistler in Venice, / by Otto H. Bacher; illustrated with many reproductions of Whistler's work. James McNeill Whistler, in full James Abbott McNeill Whistler, (born JLowell, Massachusetts, U.S.—died JLondon, England), American-born artist noted for his paintings of nocturnal London, for his striking and stylistically advanced full-length portraits, and for his brilliant etchings and articulate theorist about art, he did much to.
Alastair Grieve Whistler's Venice Yale University Press The book opens with 8 pages of a map of Venice published inthe year Whistler arrived in Venice. It is illustrated with plates, some of Whistler's own paintings and drawings and many others showing the scene that Whistler painted with photographs, some contemporary and some.
Planning a brief stay in Venice to create twelve commissioned etchings, Whistler became enchanted with the beauty of the city in and remained there for more than a year. He worked in all areas of the city, producing about fifty etchings, a few oils, and, most remarkably, one hundred : Alastair Grieve.
James Abbott McNeill Whistler RBA (/ ˈ w ɪ s l ər /; J – J ) was an American artist active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly Education: United States Military Academy.
Whistler and His Circle in Venice offers new insight into the career of one of the period's most important figures. Packed withWhistler's beautiful evocations of one of the best-loved cities in the world, this book will appeal as much to lovers of Venice as to those fascinated by Whistler : Eric Denker.
With Whistler in Venice by Otto H Bacher (Otto Henry) (Creator) starting at $ With Whistler in Venice has 4 available editions to buy at Half Price Books Marketplace.
Title [21 pastels of Venice by James McNeill Whistler made during his stay from to ] Summary Illustration shows " thumb note sketches of.
In SeptemberJames McNeill Whistler boarded the Venice-bound night train in Paris. He was forty-five years old and bankrupt. What was to be a three-month stay in the Italian city--long enough to complete a set of twelve etchings--stretched to fourteen months.
When Whistler returned to London, he brought back over fifty magnificent etchings and a hundred pastels, far. Whistler in Venice: The Pastels. Jan. 18 through J When expatriate American artist James Mc Neill Whistler () went to Venice inhe only intended to stay a short time in order to complete a commission for 12 er fell in love with the city -- especially its backwater canals and decaying palazzos-and stayed for 14 months.
Whistler in Paris, London, and Venice Janu –J This exhibition—the first at the Gallery dedicated to James Abbott McNeill Whistler—examines one of the most celebrated artists of the 19th century through the lens of three of his earliest and most innovative sets of etchings, the so-called French, Thames, and Venice.
The trial ruined Whistler financially, and he had to sell his new house and sell off his porcelain collection.
Fortunately, the Fine Arts Society commissioned Whistler to do twelve etchings of Venice, Italy. He spent fourteen months in Venice doing many etchings as well as small oils, watercolors, and pastels.
Portrait Lessons from James Abbott McNeill Whistler James Abbott McNeill Whistler was a leading artist in his day. He was forward-thinking and unapologetic in his belief in art for art's sake.
Meanwhile he was a skillful and diverse painter who explored voraciously throughout his career. His legacy continues to inspire steer and inspire contemporary painters. I acquired "Whistler's Venice" by Alastair Grieve after seeing the Turner, Whistler, Monet exhibition in Paris. I was hugely impressed by Whistler's pastel drawings and etchings of Venice and wanted to know more and this book delivers!
It provides: information about the 50 etchings and around pastels of Venice he produced during a 14 month.From his house on the Riva degli Schiavoni, Whistler evokes, in a delicate scribbled line, the familiar forms of Santa Maria della Salute and the Dogana at the center and the Giudecca on the left, fading into evening light.
Touches of blue, orange, and white in the sky add movement and a sense of fleeting time as the sun's last rays disappear.